|
|
Voice: Acting |
VOICE ACTING: Before You Begin Recording A Voice Over, See What A Difference This Will Make, by Kathleen Puls Andrade
|
VOICE ACTING: Get Back To Rock Solid Basics Of Voice Over Performance - Breath, Resonance & Articulation, by Moneen Daley
|
VOICE ACTING: Does Improvisation Make You More YOU In Voice Over? by Rebecca Haugh
|
VOICE ACTING: How To Get Out Of Your Head And Into Your Heart, by Moneen Daley
|
VOICE ACTING: Is Your Voice Aging? Don't Despair! Embrace The Change And Make It Work For You, by Deb Munro
|
VOICE ACTING: Sound And Connection - Voice Over Delivery Based On Your Feelings Holds The Listener's Attention, by Dan Friedman
|
VOICE ACTING: Finding The Poetry In Your Voice Over Performance - Be Who You Are, by Kabir Singh
|
VOICE ACTING: To Be More Competitive In Voice Over, Learn The 5 Interdependent Fingers Of Performance, by Kathleen Puls Andrade
|
VOICE ACTING: Who Are You? Who Are You Talking To? 6 Tips For Believable Voiceover Reads, by Anne Ganguzza
|
VOICE ACTING: Give Your Voice Over Characters More Character With 'Conditions' And 'Agendas' by Pat Fraley
|
VOICE ACTING: How To Create And Generate Different Levels of Emotions Quickly And Naturally, by Monique Sacay-Bagwell
|
VOICE ACTING: Text Analysis - To Determine The Voice Over Script's Story, Create A Simple 'Log Line' by Patrick Fraley
|
VOICE ACTING: You Can Learn To Predict How Voice Over Casting Teams Will React To Your Auditions, by David Goldberg
|
VOICE ACTING: 'Coverage' - How To Deal With Voice Over Script Mistakes, Grammar & Pronunciation, by Tom Dheere
|
VOICE ACTING: Do You Jump Right Into A Voice Over Script - Or Think Before You Speak? by Dan Friedman
|
VOICE ACTING: Should You Offer Voice Over Clients Options They Didn't Ask For, Or Script Corrections? by Tom Dheere
|
VOICE ACTING: What Makes Your Voice Overs Hard To Ignore? EXACTLY What Clients Need? By Paul Strikwerda
|
Voice Acting: Why Prepping Your Pipes With Proper Breathing Really Matters For Voice Over, by Shelley Cohen
|
Voice Acting: Listen, Observe & Analyze To Create Real People In Voice Over Scripts, by Kim Handysides
|
Voice Acting: Are Voice Over Clients Giving You Confusing Directions When You Read Scripts? Say 'Thank You' - by Paul Strikwerda
|
Voice Acting: In Remote Live-Directed Voice Over Sessions, How To Handle The Hiccups With Confidence, by J. Michael Collins
|
Voice Acting - Fortune Favors The Bold: Fun, Edgy & Ad-Lib Performances Are Getting Clients' Attention, by J. Michael Collins
|
Voice Acting: What Makes A Great eLearning Narrator? Acting The Part Of The 'Subject Matter Expert' by Kim Handysides
|
Voice Acting - Should You Take A Risk With That Script? YES! Trust Your Talent To Create A 'Wow,' by Jim Conlan
|
Voice Acting: What Makes A Beautiful Voice? Examine Lauren Bacall's Sexy Purr And Sterling Holloway's Comforting, Soft Sweetness - Part 2, By Hannah Melbourn
|
Voice Acting: What Makes A 'Beautiful' Voice That Gets You Hired For Voice Over? Most Often, It's Not The 'Perfect' Voice - Part 1, by Hannah Melbourn
|
Voice Acting: Take Off Your MENTAL Headphones - How To Stop Listening To Yourself While Performing Voice Over, by Sally Clawson
|
Voice Acting: What Will Make You A Great E-Learning Narrator? Be A Teacher - Like 'Mrs.C' - by Anne Ganguzza
|
Voice Acting: This Is 'The Best Corporate Video EVER.' Why? Break It Down As A Valuable Voice Over Lesson, by Anne Ganguzza
|
Voice Acting: Documentary Voice Overs - Opportunities Abound For Narrators Who Understand The Growing Genre, by Kim Handysides
|
Voice Acting: Think You Have A Handle On The Voice Over 'Conversational Read'? Now Add EMPATHY, by Anne Ganguzza
|
Voice Acting: Political Voice Overs - Rest Up, But Not For Long. 2022 Shaping Up As Another Big Political VO Year, by Carl Bishop
|
Voice Acting: For Medical Voice Overs, Get Up To Speed On Big Data, Artificial Intelligence, 5G And Blockchain, by Anne Ganguzza
|
Voice Acting: If You're Asked To Voice A Scratch Track (What's That?), What Should You Charge? by Tom Dheere
|
Voice Acting: Practice Won't Make You Perfect. But This Way To Practice Will Help, by Tom Dheere
|
Voice Acting: Are You Slipping Into A Voice Over Pandemic Delivery? Tips For Regaining Your Expressive Voice, by Ann Utterback
|
Voice Acting: What's Your 'Sound Emotional Quotient'? Learn How Listeners Perceive The Sound Of Your Voice, by Kim Handysides
|
Voice Acting: Push The Boundaries Of Your Voice Over Imagination With Improv. Say, 'Yes And ...' by Kim Handysides
|
Voice Acting: Your Unique Voice - The Emotional Human Connection That Businesses Need Now, by Tim Keenan and Mike Laponis
|
Voice Acting: Warm Up Your Voice Like An Athlete: Breathe, Stretch & Twist (Your Tongue), by Rick Lance
|
Voice Acting: Not Connecting With The Voice-Over Copy? Here's Why. And How To Improve, by Tom Dheere
|
Voice Acting: Part 2 - How To Talk To Millennials In Your Voice-Over Auditions And Performances, by Maria Pendolino
|
Voice Acting: Part 1 - Want To Learn The 'Millennial Voice-Over Sounds & Styles'? Stay Up For Late Night TV, by Ian Fishman
|
Voice Acting: Voice-Over Directed Sessions - How To Prepare & Perform When Your Clients Listen In, by Daree Allen Nieves
|
Voice Acting: Connect With Your Breath To Power Up Your Voice-Over Auditions. Here's How, by Jean-Marc Berne
|
Voice Acting: How To Be Effective In A Live Voice-Over Recording Session, by Tom Dheere
|
Voice Acting: Roll With The Punches To Become Your Voice-Over E-Learning Clients' Go-To Talent, by Rick Gordon
|
Voice Acting: 'Sometimes, The Most Dramatic Delivery You Can Give Is The Opposite Of Emergency,' by Ann Utterback
|
Voice Acting: Lip Rolls, Tongue Trills And Mouth Sounds: Warm-Ups Help Your Voice And Performance, by Rick Lance
|
Voice Acting: Three Common, Avoidable Mistakes That Voice-Over Clients Make In Writing Scripts, by Sissy Siero
|
Voice Acting: This Is Impor'ant - It's Risky To Drop Those Medial Consonants! by Dr. Ann Utterback
|
Voice Acting: If Your Regional Accent Limits Voice-Over Opportunities, Learn 'General American English', by Monique Bagwell
|
Voice Acting: Voicing Healthcare Ads - How To Motivate Listeners To Take Care Of Themselves, by Kim Handysides
|
Voice Acting: Four Common Notions About Voice Acting - Which Are False Or Partially True? by Rick Lance
|
Voice Acting: Patrick Fraley's Final Two Voice-Over Exercise Challenges (Get A Partner)
|
Voice Acting: In Remotely Directed Voice-Over Sessions, Be Easily Directed And Don't Talk Between Takes! by Natasha Marchewka
|
Voice Acting: Start Your New Voice-Over Year With Two More Patrick Fraley Exercise Challenges
|
Voice Acting: Do You Exercise Your Voice Acting Skills? Try These Four From Patrick Fraley ...
|
Voice Acting: Don't Jump Into A Voice-Over Script Cold - Warm Up With A Back Story, by Marc Cashman
|
Voice Acting: Audition For Voice-Overs Like LeBron James Plays - Don't Just Shoot Wildly, by J. Michael Collins
|
Voice Acting: The Perfect Winter Vocal Warmup - Hot Steam And A Cold Read, by Rob Marley
|
Voice Acting: A Story Told Well Stays With Listeners. Voice It From Your Singular Perspective, by Kim Handysides
|
Voice Acting: You've Got A Problem - Understand These Elements Of Commercial Scripts To Voice Them Best, by Rob Marley
|
Voice Acting: Collaboration Between Director And Voice Actor Leads To More Productive Sessions
|
Voice Acting: How Audio Will Enhance Or Ruin Your eLearning Projects. Five Tips, by Dan Hurst
|
Voice Acting: As Your Voice Ages, Training Overcomes Barriers. But More Calls Are Coming For 'Senior' Voice-Overs, by Kim Handysides
|
Voice Acting: Fight 'Mike Fright' - Pretend Your Mike's A Person - And Stop Being Perfect! by Paul Strikwerda
|
Voice Acting: Things To Make Sure A Voice-Over Producer Or Director Never Hears During A Session, by Christian Rosselli
|
Voice Acting: Do Consumers Care If Voice Talent Is Male Or Female? What's Changing & What's Not, by Kim Handysides
|
Voice Acting: Warm Up Those Voice-Over Chops! These Vocal Exercises Release Tension & Warm Up Your Brain, by Ann Utterback
|
Voice Acting: What Can You Learn From BAD Voice-Overs? Plenty -With These Examples, by Joe Thomas
|
Voice Acting: What To Do When The Voice-Over Script Needs Correcting Or You Suggest A Tweak, by Rick Lance
|
Voice Acting: The Funny Thing Is, Comedic Timing Will Improve Your Voice-Over Performance, by Rick Lance
|
Voice Acting Video: When The Director Wants "Five In A Row," Here's How To Voice Them With Variety, by Randye Kaye
|
Voice Acting: 'Talk British To Me' - A Desirable Talent For Voice Actors - Here's What To Practice, by Sarah Mitchell
|
Voice Acting: Are You A Perfectionist? Here's Why You're Having Trouble In Voice Over, by Rick Lance
|
Voice Acting Rule: 'Never Sacrifice Clarity For Character.' Direction Can Screw You Up, by Hugh Klitzke
|
Voice Acting: Study Peter Coyote's Compelling Narration In Ken Burns' 'The Vietman War' PBS Series, by Hugh Klitzke
|
Voice Acting: When People Are PAID to SPEAK, Shouldn't They Pronounce The Words Correctly? by Rick Gordon
|
Voice Acting: The Pharmaceutical Voice Over Read: Subtlety Making The Invisible Real, by Hugh Klitzke
|
Voice Acting: Lacking Confidence Is A Voice Over Career Killer. Fake It Until It's Real! Here's How, by Rick Lance
|
Voice Acting: Are They Voice Over Fads - Or Trends? 'F-You' Read, Conversational, Celebrities & More, by Hugh Klitzke
|
Voice Acting: How To Direct Yourself In Your Own Voice Over Booth - Expertly, by Kim Handysides
|
Voice Acting: Give Yourself Permission To Take The Voice Over Script Where It Needs To Go, by Jim Conlan
|
Voice Acting: Voicing TV Commercials - If You Work Too Hard, You're Adding Too Much, by Hugh Klitzke
|
Voice Acting: For Voice Over Scripts, The Storyboard Layout Is Not Your Friend. Beware Confusing Ellipses, by Hugh Klitzke
|
Voice Acting: When You're Mispronouncing A Word, Define It. Comprehension Makes A Big Difference, by Hugh Klitzke
|
Voice Acting: If You Could Give Advice To Voice Over Producers, What Would You Tell Them? by J. Christopher Dunn
|
Voice Acting - Commercial Copy Phrases Often Come In Three's - Find And Understand Them, by Hugh Klitzke
|
Voice Acting: Find Your Authentic Voice And DARE To Be Different, by Bobbin Beam
|
Voice Acting: How To Change Your Vocal Resonance From A Thin Voice To Rich And Full, by Ann Utterback
|
Voice Acting: Resonance - Why Your Recorded Voice Sounds Different From What You Hear In Your Head, by Ann Utterback
|
Voice Acting: The 'Best Friend Read' - How To Sound Natural When Voicing 'Announcer' Copy, by Hugh Klitzke
|
Voice Acting: When A Commercial's Final Words Repeat The First, It's Playtime For The Voice Actor, by Hugh Klitzke
|
Voice Acting: Do We Shoot The Messenger, Or Is The Voice Over Role 'Just Politics'? by Paul Strikwerda
|
Voice Acting: The 'Throw Away' ... What Do You Imagine? ... And The New 'Normal People' Read, by Hugh Klitzke
|
Voice Acting: The Voice Over Script Has A Melody - How To Make It Sing In Your Read, video by Gary Terzza
|
Voice Acting: Your Homework Assignment For Tonight: How Would YOU Voice That TV Commercial? by Dave Courvoisier
|
Voice Acting: How To Ar-Tic-U-Late Your T's And D's - Without Overdoing It, by Ann Utterback
|
Voice Acting: Hugh Ties A Simple Change To A Better Voice Over Read, by Hugh Klitzke
|
Career: Are You STILL Not Getting Lots Of Repeat Business From Your Voice Over Clients? (Here's Why), by Paul Strikwerda
|
Voice Acting: Voice Over Math - Less Than 100% = Zero. So What's Stopping You From Going All The Way? by Jim Conlan
|
Voice Acting: The Conversational Read: Relax Into Your Voice And Become Comfortable With It, video by Gary Terzza
|
Voice Acting: 'And ... Cue Announce!' How To Prepare For The VO Ride Of Your Life - Live Announcing, by Marian Massaro
|
Voice Acting: When The Commercial VO Script Wants 'Wry And Knowing' - Where And How? by Hugh Klitzke
|
Voice Acting: Are You The E-Learning Client's Go-To VO Talent For More Work? Three Tips, by Rick Gordon
|
Voice Acting: Breath Control - How To Keep Your Voice (And You) From Fading Away, by Ann Utterback
|
Voice Acting: Those 'Legal' And 'Fair/Balance' VO's Are Required By Law - But What's The Difference? By Hugh Klitzke
|
Voice Acting: If You Can't Or Won't Listen As A Voice Talent, You Won't Make It, by Tom Dheere
|
Spanish Voice Overs: What To Look For When Referring Spanish-Speaking Colleagues For Voice Over Jobs, by Simone Fojgiel
|
Voice Acting: Three Time-Sharing Tips For Large Voice Over eLearning & Narration Projects - video with Marc Scott
|
Voice Acting: Placeholders And Tags - How Should You Read Them In Voice Over Auditions? by Hugh Klitzke
|
Voice Acting: The Human Voice Trumps Siri's World - At Least For The Foreseeable Future, by Bobbin Beam
|
Voice Acting: Five Tips For Interpreting Voice Over Reads - From Directions In The Copy, by Dan Hurst
|
Voice Acting: How To NOT Sound Like An Announcer When You're Reading Announcer Copy, by Hugh Klitzke
|
Voice Acting: Are You A Fast Talker? Slow Down - Honor The Words, Make Fewer Mistakes, by Tom Dheere
|
Voice Acting: Your Challenge - Learn To Read The Commercial Voice Over As Your Best And Authentic Self, by Hugh Klitzke
|
Voice Acting: Want To Book More Auditions? Rethink How You React To Frequent Rejection, by J. Christopher Dunn
|
Voice Acting: Make These Eight Mistakes To Lose Voice Over Clients And Auditions, by Rick Lance
|
Voice Acting: Watching The 'Golden Globes' Show: 'What's THAT?' Keeping Up With Pop Culture - For Voice Over, by Dave Courvoisier - And iSpot.tv, by Hugh Klitzke
|
Voice Acting: Mic Fright! (Or Call It Stage Fright.) How To Relax And Focus On Your Performance, by Rick Lance
|
Voice Acting: Energize Your Voice Over Performances By Putting Your Body In The Scenes, by Lori Tritel
|
Voice Acting: Breath Support For Voice Over - Simple Exercises Will Expand Your 'Air Time' At The Mic, by Ann Utterback
|
Voice Acting: When You're Stumbling Over A Word Or Name, Here's How To Say It Right, by Hugh Klitzke
|
Voice Acting: Is The 'Announcer Voice' Really Dead? Nope - Not For Older Generations With Buying Power, by Rick Lance
|
Voice Acting: Let's Hear Your Emotions! Here's Two Simple Exercises To Expand Your Emotional Range, by Ann Utterback
|
Voice Acting: Can You Get Through A 60-Sec VO Spot Without Stumbling? Tips For Fluent Reading, by William Williams
|
Voice Acting: Directions Unclear? Don't Give Up! Think Or Research The Brand To Make Your Choices, by Hugh Klitzke
|
Voice Acting: Listen - Pay Attention To Directors' Instructions, Or They'll Stop Paying Attention To You, by Terry Daniel
|
Voice Acting: Striving For The PERFECT Voice Over Take Will Drive You Nuts - Edit Instead, by Jim Conlan
|
Voice Acting: Voicing Video Games - Three Techniques For When The Director Wants More Takes, by Pat Fraley
|
Voice Acting: These Three Ideas Can Change Your Voice Over Career - I Know, Because They Changed Mine, by Dan Hurst
|
Voice Acting: Do You Have The Skills And Stamina To Voice Video Games? What To Know, by Rick Lance
|
Voice Acting: How Do You FEEL About A Product Brand When You Voice Its Name? by Hugh Klitzke
|
Voice Acting: This Last Line 'Trick' Can Lead To A Better Lasting Impression, by Hugh Klitzke
|
Voice Acting: "And Down The Stretch They Come ..." - How Calling Horse Races Helps With Narration, by Barry Abrams
|
Vocal Health: Are You Stressed? Exhausted? Here's 12 Ways To Avoid 'Voice Over Fatigue' by Dave Courvoisier
|
Political Voice Overs - Choosing Which Jobs You'll Take, And Being On Call 24/7, by Bettye Zoller
|
Voice Acting: Arms Flailing, Torso Shifting - Your Body In Motion Gives Life To A Voice Over Read, by Hugh Klitzke
|
Voice Acting: A Little Girl Asked For My Autograph, But I Learned: It's Not About Us, by Dan Hurst
|
Voice Acting: How To Determine Your Inflection When The Script Asks Listeners A Question, by Hugh Klitzke
|
Voice Acting: Translation Please! Taking Your Client's Vision And Bringing It To Life, by Debbie Irwin
|
Voice Acting: Test Your Tongue With These Twisters From Rodney Saulsberry's New Book, by Rodney Saulsberry
|
Voice Acting: Your Voice Is A Window To Your Soul - And 'Moodies' Is An App For That, by Paul Strikwerda
|
Voice Acting: Too Many Noticeable Breaths In Your Recordings? Relax - Here's The Cure, by J. Christopher Dunn
|
Voice Acting: So Now The Voice Over Audition Seeks An 'Ambiguously Ethnic Voice.' Say What? by Dave Courvoisier
|
Voice Acting: In Your Mind, Insert A Word Or Phrase In Front Of The Voice Over Copy, by Hugh Klitzke
|
Voice Acting: When You're Having 'One Of Those Days' - Disconnect, Take A Break! Reconnect, by Rob Marley
|
Voice Acting: Tips For PRODUCERS - How To Bring Out Best Performances From Voice Actors, by J. Christopher Dunn
|
Voice Acting: How To Understand Voice Over Copy - Develop A Process That Works For YOU, by Hugh Klitzke
|
Voice Acting: How To Receive Year-Long Valentines (Jobs!) From Clients Who Love You, By Dan Hurst
|
Voice Acting: If You Sound Announcery, Let's Have This Conversation, by Dave Courvoisier
|
Voice Acting: The 'Mature Voice' Has A Richer Bank Account Of Knowledge And Experience, by Elaine Singer
|
Voice Acting: How To Bring On The Energy - Hands, Body, Emotion, Enthusiasm - To Book More Jobs, by Laila Berzins and 'Uncle Roy' Yokelson
|
Voice Acting: Looking At Old Copy Is Like Trying To Get Back Together With Your Ex, by Hugh Klitzke
|
Voice Acting: Practice Reading VO Copy Cold: Dare To Be Imperfect. Hear What Happens, by Hugh Klitzke
|
Voice Acting: Can They Hear Your Voice Smile? If Not, Create A Happy Character, by Deb Munro
|
Voice Acting: Do You Fear Improv? That's Like Fearing Fun - Start With This Easy Exercise, by Rebecca Michaels Haugh
|
Voice Acting: The Myth Of 'Conversational Voice Over' - Hey, Nobody Talks Like That, by Joe Thomas
|
Voice Acting: Got A Thin-Sounding Voice? Develop Rich, Full Resonance With These Tongue-Jaw Tips, by Ann Utterback
|
Voice Acting: Transform Your Voice Over Listeners - And Your Life - With Self-Expression, by David Zema
|
Voice Acting: Commercial Copy Challenges - Find The Power In Those Short Lines, by Hugh Klitzke
|
Voice Acting: Feeling Dull At The Mic? Tap Into Your Reservoir Of Real-Life Enthusiasm, by Gary Terzza
|
Voice Acting: The Copy Might Suck, But You Can't. How To Fly Solo - Perform Voice Over Alone, by Harlan Hogan
|
Voice Acting: Wear Your Mask On Halloween, But Drop It In Life And At The Microphone, by Deb Munro
|
Voice Acting: Can Your Voice Be Right For EVERY Job? A Voice Chameleon Says 'Yes' - by Gary Terzza
|
Voice Acting: Fast Legal Reads - Get Up To Speed By Understanding What You Say, by Hugh Klitzke
|
Voice Acting: Robin Williams' Legacy For Voice Actors: Push Vocal Limits Of Emotion - Some Tips, by Ann Utterback
|
Voice Acting: What Makes A Good Delivery? Here's What You Can Learn And Control, by Paul Strikwerda
|
Voice Acting: PSA Pie - Dishing It Out To The Public Doesn't Always Mean Playing Sad, by Deb Munro
|
Auditions: So Many Directions! Yes, But Look At The Way They Are Laid Out, by Hugh Klitzke
|
Voice Acting: Can't Get Past A Phrase Without Stumbling? Thwack! Here's What To Do, by Hugh Klitzke
|
Voice Acting: Surprise Your Voice Over Clients - 10 Ways To Meet & Exceed Expectations, by Paul Strikwerda
|
7/9/2014: ESPN's FIFA World Cup Announcers Reveal Two Lessons For Voice Actors, by Dan Hurst
|
Voice Acting: Take Easy Way Out In A Script - Avoid Risks - And Lose The Magic, by Christian Rosselli
|
Voice Acting: Commercials - Filter Your First Line Through Different Directions. See What Happens? by Hugh Klitzke
|
Voice Acting: Know Your Competition On P2P Casting Sites - How 'Good' Must You Be To Book Jobs? by J. Michael Collins
|
Voice Acting: Improv Fires Your Neurons! And Expands Your Voice Over Performance Skills, by Rebecca Michaels Haugh
|
Voice Acting: Can You Make Toys Talk? Build A Repertoire For Continuing Work, by Amy Rubinate
|
Voice Acting: When They Get An Itch To Send You A Scratch Track To Follow, What To Do? by Rachel Fulginiti
|
Voice Acting: Freaky Weather, Power Outages, Delayed Flight - Timing Was Everything For This ISDN Session, by Bobbin Beam
|
Voice Acting: How Do You Voice A Question? Not All Are Alike, by Hugh Klitzke
|
Voice Acting: Overcome 4 Challenges Of Working With Overseas Voice Over Clients, by Andrew Peters
|
Are You Performing Good Voice Over Dialogue - Or Monologue Mush? by Deb Munro
|
Headphones: Should You Wear 'Em When Voicing - Or 'Go Naked'? Yes & No - by Hugh Klitzke & Gary Terzza
|
Voice Acting: Be Proud, Go For In-Person Sessions - Recipe For 'Out-Of-The-Egg Surprise' by Deb Munro
|
Voice Acting: Timing Translations To Match A Video's English Can Be A Challenge - What To Do? by Jamie Zubairi
|
Voice Acting: Can You Create Original Voice Over Characters? What Your Producers Want, by Gary Terzza
|
Voice Acting: What Word Would You Stress In This Simple Voice Over Tag? by Hugh Klitzke
|
Voice Acting: 15 Bonehead Mistakes: 'You Did What?' Confess That You're Human - I'll Start, by J. Christopher Dunn
|
Voice Acting: 'To Zee Or Not To Zee?' Voice Over Tips From A Yank In The UK, by Mike Broderick
|
Voice Acting: Screw Being Perfect! It's Best To Seek 'Better' Auditions - Then Walk Away, by Hugh Klitzke
|
Voice Acting: You WILL Be Rejected For Voice Over Jobs - Often. How To Cope With It, by Gary Terzza
|
Voice Acting: Bilingual Voice Actors Meet Double-Lingual Challenges In Gaining Their Clients' Trust, by Linda Joy
|
Voice Acting: How Many Takes Does It Take To Get It Right? Another View ... by Dave Courvoisier
|
Voice Acting: Find 'Meaning-Laden' Words That Reveal Gist Of The Story, by Ann Utterback
|
Voice Acting: Listen! If You Can't Follow Directions You Won't Get The Voice Over Job, by Marc Scott
|
Voice Acting: Breathe Correctly At the Mic - Does Your Stomach Go IN Or OUT When You Inhale? by Susan Berkley
|
Voice Acting: Client Horror Stories - Beware & Prepare, Because They WILL Happen To You, by Deb Munro
|
Voice Acting: Find The Truth - Set Your Brain Aside, Let Body & Voice Take Over, by Elaine Clark
|
Voice Acting: Stumbling Over Words And Phrases? How To Sound Like You Say Them Every Day, by Hugh Klitzke
|
Listen: In Voice Overs And Your Studio, What Do You REALLY Hear? by Dan Friedman
|
Voice Acting: Don't Run Away From Your Emotions, But Tap Them Wisely To Voice Scripts, by Paul Strikwerda
|
Voice Acting: If They Want Morgan-Jack-Joe-Vincent, Maybe They're Really Searching For YOU, by Dave Courvoisier
|
Voice Acting: Corporate Voice Overs - Your Way to Stay Busy At The Mic In 2013, by Jim Conlan and Bettye Zoller
|
Voice Acting: Attitudes Affect Actions At The Mic - 'On Air' After Boston Bomber Capture, by Moneen Daley Harte
|
Voice Acting: Pop The Top, Grab A Crab, Big Pig: Warm Up Your Voice Before Recording, by Ann Utterback
|
Voice Acting: When Receiving Voice Over Direction - Listen, Learn And Be Tough-Skinned, by Deb Munro
|
Voice Acting - How To Decode The Script's Specs - What The Director REALLY Wants, by Elaine Clark
|
Voice Acting: Who Do You Think You're Talking To? Drop 'Industry Speak' by Matt Forrest
|
Voice Acting: If The Script Read Is A Shot In The Dark, Ask Client These 10 Questions, by Lisa Rice
|
Voice Acting - 20 Tips For A Passionately Human And Natural Voice Over Performance, by Elley-Ray Hennessy
|
What Voice Actors Are Doing Wrong: Creative Teams Report 'Pet Peeves', by Edge Studio Staff
|
Voice Acting - Boo! Let Your Inner Freak 'Out' ... Play Halloween All Year Long, by Deb Munro
|
Voicing Lists: Are You Boring? Add Variety With These Musical Scale Patterns, by Elaine Clark
|
Directing: When You Are The Director, Know How To Get The Best From Talent, by Dan Friedman
|
Voice Acting: 10 Ways To 'Place' Your Character Voices - From Natural To Monster, Nasal And Pug, by Elley-Ray Hennessy
|
Voice Over Animation: How To Keep Your Voice In Shape And True To Your Characters, by Elley-Ray Hennessy
|
Voice Acting: The Morgan Freeman Voice Over Mystique: A Four-Point Lesson For Voice Actors, by Dan Hurst
|
Voice Acting: If You MUST Breathe, Please ... Do So Quietly. Here's How, by Paul Strikwerda
|
Dave Fennoy Chats About Voicing Video Games - And Interactive Zombies In 'The Walking Dead' by Rebecca Michaels
|
Voice Acting: The 'Aha' Light Bulb Went On: For This Job, I Was 'Authentic Me' ... by Alan Sklar
|
Voice Acting: Clicks, Pops & Slurps - How To Minimize Annoying Mouth Noise, by Susan Berkley
|
Ask Marc #5 - Slating - What's The Best Way? Plus - Urban Imaging And Agents, by Marc Cashman
|
Voice Acting: Saying 'Nah' To Voice Over Challenges Shows You Don't Believe In Yourself, by Terry Daniel
|
Voice Acting: Get Pronunciations Right! Research - Or Someone Else Will (Get The Job), by Deb Munro
|
Voice Acting: Message To 14-Year Old Jake (And You): Imitation Is Dead End - Find Your Own Voice, by Paul Strikwerda
|
Writing Commercials: Leaving Space 'Between The Lines' Is Good For Bottom Line, by Dan Friedman
|
Voice Overs - Talking Shop: Moe Egan, Mike 'The Mic' Jablon & Lau Lapides, by Stuart Grimes and AJ Cawley
|
Voice Acting: Abandon The 'Tricks" And Honestly, Emotionally Connect With Listeners, by Juan Carlos Bagnell
|
Ask Marc #3: How To Find Medical Narration Clients; Voice Over Audition Tips, by Marc Cashman
|
Voice Acting: Are Your Medical Narrations Boring? Good! That's What The Doctor Ordered, by Alan Sklar
|
Voice Acting: Read Out Loud EVERY DAY To Be & Stay Competitive, by Juan Carlos Bagnell
|
Voice Acting: Voice Stuck In A High Pitch? Start Lower And Climb Up, by Ann S. Utterback, Ph.D
|
Ask Marc #2 - How To Cope With Clearing Your Throat, Write A Bio & Voice Trailers, by Marc Cashman
|
Voice Acting: Martha Graham, Where Are You Now That We Need You? by Alan Sklar
|
Voice Acting: How To Find Clues In The Copy - Read Over Before You Voice Over, by Randye Kaye
|
When Your Client's Idea Is A Turkey (Or Lobster), Give Thanks Anyway
|
Voice Acting: Does Your Client Want You As A Voice Actor - Or Voice Model?
|
Moving From Radio To Voice Over - 7 Ways Radio Experience Helps, by Randye Kaye
|
Voice Acting: KISS Your Voice Over Clients With These 5 Crucial Questions, by Derek Chappell
|
Voice Acting: 7 Ways To Sound Conversational - Not Like A Bad GPS Audio, by Susannah Kenton
|
Voice Acting: Do You Do Character Voices? We're Not Just Talkin' Cartoons, by Rick Gordon
|
Voice Acting: Don't GUESS How To Pronounce Unfamiliar Words - Ask Or Research, by Andy Bowyer
|
Voice Acting - How To Take 'Announcery' Read Out Of Voice Over Promo Copy, by Rodney Saulsberry
|
The Music Of Voice Acting - Hear And Feel The Script's Song, by John McLain
|
8/24/2011 - See Pat Fraley's Free Video Voice Over Lessons - Help Him 'Sleep At Night' Again
|
8/18/11 - Online Feedback Forum: Peer Reviews Of Voice Over Auditions, Practice & Jobs , at Edge Studio
|
Live Announcing? 'I'd Squirm' & Decline ... But Tonight I Did It, by Caryn Clark
|
Voice Acting: New Video Offers Lessons For 'Women With Character' - by Pat Fraley
|
Voice Acting: 10 Tips Help Frequent Fumblers Avoid Costly Pick-Ups & Editing, by Dan Friedman
|
Voice Acting: Six Simple Requests For Clients - To Max Your Voice Over Service, by Rick Lance
|
Recording Studio Booth Etiquette - What To Know Before You Begin, by MJ Lallo
|
Your Cool Ain't Necessarily 'Cool' ... Give Voice Over Clients What THEY Want, by David Radtke
|
Voicing The Infomercial - Stimulate Listener By Talking About "Us," by Kevin Delaney
|
Voicing Toys: Make It Fun ... While You Work Hard, by Elaine Clark
|
Voice Acting: Practice The 'Fast Legal Tag' ... Start Slow, Then Faster, Faster - by Rodney Saulsberry
|
Newcomers: 'You Have Such A Nice Voice!' Sure, But Here's What It Tales To Succeed in Voice Overs, by Randye Kaye
|
Voice Acting: Deconstructing Barney Fife - Pat Fraley & Scott Burns Demo The Elements
|
Voice Acting: A Great Voice Over Coach Is ... Your Ears! Learn To Listen, By Dan Friedman
|
VOcation Tips: Do It NOW & Listen Before You SEND, by Rory O'Shea
|
Voice Acting: Get Personal - Find Your Conversational Voice Over Delivery, by Ann S. Utterback, Ph.D
|
Voice Acting: The Mighty Tongue Twister - For Mighty Good Performances, by Joe Loesch
|
The 'Sweet Spot' To Voicing Credible Dialects & Accents Is ... by Doug Honorof
|
The 'Conversational' Voice Over Read - Five Ways To Please Your Clients, by Pam Turlow
|
Voice Over Business Etiquette - Avoid These Fatal No-No's (And Share Yours), by Dawn Harvey and Vanessa Hart
|
Voice Acting: Your Over Success Mindset - How To Stay Centered Behind The Mic, by Susan Berkley
|
Directing Voice Talent: Know The Message & Communicate Well, by Dan Friedman
|
Voice Acting - How To Quickly Choose Your Character Voices In The Booth, by David Goldberg
|
Audiobooks: How Script Notes Track Your Characters & Plot, by Vanessa Hart
|
How Do You Stay Awake When Voicing Those Late-Night Jobs? by Stephanie Ciccarelli
|
Voice Acting: Letting Go - Can You Permit Yourself To Be Just YOU? (Yes, It's Difficult) by Deb Munro
|
Voice Acting: How To Ace Your First Session In A Professional Recording Studio, by Maxine Dunn
|
Voice Actor - What's In YOUR Tool Box? Let's Share It ... by Ed Victor
|
Voice Acting: Can The Cans? Pros & Cons In the Great Headphones Debate, by Deb Munro
|
Voice Acting Is Not About Your Voice: It's About Your Client's Story, by Bob Souer
|
Voice Acting: 6 Ways To Get Over Those Voice Over Practice Walls, by David Goldberg
|
Voice Acting: Animation & TV Puppetry - Create A Sense Of Character & Truth, by Paul Liberti
|
Voice Acting - 'Just Give Us Five In A Row' ... How To Prepare By Practicing Variety, by Randye Kaye
|
Voice Acting: Acting With Your Voice - What & How To Learn For Voice Over Success, by Vanessa Hart
|
Voice Acting: These Dozen Top Skills Are Crucial To Career Success, by Marc Cashman
|
Technology: Connect To The Voice-Over World With Skype ... For Remote VO Jobs & Coaching, by Deb Munro
|
Voice Acting: Working Online - Five Survival Tips For 'Remote' Voice Talent, by Steven Lowell
|
Characters - Free Audio: Pat Fraley Reveals Formula for Creating Unique, Evocative Characters
|
Voice Acting: Watch For The Caution Signs In Voice-Over & Your Life, by Lisa Rice
|
E-Learning: How To Get Hired For Projects - Or Be Rejected, by Rick Gordon
|
Voice Acting: Confused By The Director's Direction? Copy & Use This CHOICES Worksheet, by Xavier Paul
|
Business: E-Learning is BIG Business, But Also Major Maintenance. What to Know ... by Rick Gordon
|
Six Tips To Shine On Every Job ... You Never Know Who's Listening, by Amy Taylor
|
Voice Acting: For Lifelong Clients, Apply Lifelong Learning ... About Voice-Overs & Everything! By Randye Kaye
|
Voice Acting: Put Your Emotions In A Bag & Pull 'Em Out To Practice, by David Radtke
|
Voice Acting: Basic VO Acting Techniques - Four Ways To Pep Up Your Reads, by Sherri Berger
|
Ask Rudy #3 - Casting: What's Your Process For Selecting Voice Talent? by Rudy Gaskins
|
Dear Santa: Bring Me Tools To Be A Good Voice Actor! by Bettye Zoller
|
Voice Acting: Voicing Without Sight - JAWS, Braille & Listen Well - Interview with Maureen Young / Part 2, by John Florian
|
Voice Acting: Queen of The Sound Picture Says 'Listen To Copy For The Story' - Interview with Maureen Young / Part 1, by John Florian
|
Ask Rudy #1 - On The Job, What Clients Expect: Suck It Up, Baby - You're The Pro, by Rudy Gaskins
|
Voice Acting: Create Characters To Breathe Life & Personality Into Your Message, by Sherri Berger
|
Coping With Copy: Difficult ... Offensive ... Always Changing? How To Approach It Positively, by Rodney Saulsberry
|
Do You Have An Ear For Dramatic Reads? Here's How To Tune In, by Donna Reed
|
Voice Acting: In The Booth - Are You Anxious & Worried? Flip That Feeling With An 'Ode To Success' by Danielle Quisenberry
|
Voice Acting: Stuck In A Boring 'Comfort Zone'? Dare To Push Your Voice Outside, by Bob Souer
|
Script Doctor: Offer Your Surgery As Needed - But Beware Side Effects, by Connie Terwilliger
|
Voice Acting: A Dozen Ways To Prepare For The Perfect Read, by Michelle Summers
|
Voice Acting: "Shut Up!" The Voices In Your Head Won't Go Away - So Employ 'Em! by Penny Abshire
|
Voice Acting: Apply Your Palette Of Vocal Colors To Brush Words, by Marc Cashman
|
Directions: The Best Ones Help Create Pictures In Your Mind - Interview with Bill Holmes, Part 2, by John Florian
|
Voice Acting: Connect With Listener By Lifting The Words Off The Page, by Bobbin Beam
|
Crappy Copy Complicates Completing Client's Creation (Huh?) How To Cope, by Dave Courvoisier
|
Character Development in Voice-Overs: Observe, Listen & Draw On Memories, by Bettye Zoller
|
arTICulate! Exercise Your Tongue & Jaw Before Voice-Over Sessions, by Connie Terwilliger
|
Voice Acting: It's All About Characters - Make Them Believable For Your Clients and Audience, by Deb Munro
|
Why Many Voice Talent Aren't Hired ... Are You Making These Mistakes, Too? by David Goldberg
|
Marking Scripts: Create Visual Cues To Deliver Your Best VO Performance, by Peter Drew
|
Pacing Your Read: Fast, Medium Or Slow - How To Deliver On Time, by Stew Crossen
|
Auditioning - The Root Canal of Voice-Overs, by Pat Fraley
|
Audiobook Journal: 'When You're Doing Everything, It Takes Time to Do It Right,' by Bobbin Beam
|
Interview: MJ Lallo - How to Become Your Animation Characters At the Mic, by John Florian
|
Political Attack Ads: 'It's Just a Job' ... NPR Interviews Reveal Techniques
|
Voice: Stop the Stumbles! A Quick Way to Get Your Brain and Mouth Working Again, by Peter Drew
|
TV Promos: Train Like An Olympian & Know Lingo For Gold Medal Reads, by David Alden
|
The Dry, Flat Read: 'So Shocking That Everyone Will Sit Up And Notice,' by Bettye Zoller
|
Relax, Study Emotions & Characters to Create Your Own 'Voice Print' by Lou Hunt
|
Load Your Words With Attitude & Emotion: Lift 'Hope' ... Feel 'Pain'! by Marc Cashman
|
Sure, You Breathe When Reading Copy - The Trick Is Knowing How, by Juan Carlos Bagnell
|
Warm-Up: Ducks, Brass Monkeys, Apathetic, Sympathetic ... Take The Announcer's Test! by Bobbin Beam
|
Punctuation: How to Deal With It ... And Scripts With Bad Grammar, by Marc Cashman
|
How to Make and Match Revisions to Your Previous Voice-Over Work, by Melanie Haynes
|
The Power of the Pause: Let Listeners Absorb What You're Saying, by Mike Harrison
|
Are Daffy Script Directions Driving You Crazy? How to Cope, by Marc Cashman
|
Celebrity Voice-Over Impersonations: Be Cautious! Words to the Wise, by Bettye Zoller
|
Pronunciation: Don't Sound Like You Just Fell Off The Hay Wagon, by Marc Cashman
|
How To Develop Original Characters For Your Voice-Over Work & Demos, by Jean Ann Wright
|
Know The Triggers To Really Communicate / Part 1, by Ron Knight
|
Know The Triggers To Really Communicate / Part 2, by Ron Knight
|
Audiobooks: How To Read Aloud - Without 'Bleeding' On The Audience, by Pat Fraley
|
Dialects: 'Sore-ee' ... It's 'A-Boat' Time You Voice In Generic English, by Deb Munro
|
Acting: Discover ABCs of Every Script ... And Warm Up! by James Alburger
|
Create A Cast of Core Characters, by Penny Abshire
|
Acting: Find Your Natural Rhythm, by Peter Drew
|
.png)
click for new article alerts